Original music / composition
Music developed from the emotional, narrative and visual identity of each project.
FILM & MEDIA COMPOSER · SOUND DESIGNER · BRUSSELS
Film and media composer and sound designer based in Brussels, Belgium, Yannis Koser creates original music, sound design and immersive audio for film, documentary, games, installations and visual media, with international remote collaboration available.

A DISTINCTIVE MUSICAL LANGUAGE
Yannis Koser approaches composition as a meeting point between structure, sensation and story. The process begins with the project’s emotional centre, then develops a musical language that can support the image without merely describing it.
Music developed from the emotional, narrative and visual identity of each project.
A musical direction shaped in dialogue with image, rhythm, silence and dramatic intention.
Original sounds, textures, atmospheres and transitions shaped around the identity of the image.
Music and sound for exploration, fantasy worlds, interactive media and narrative environments.
Sonic environments for cultural, spatial and sensory experiences.
Responsive collaboration with filmmakers, visual artists, studios and cultural projects.
SOUND DESIGN
Alongside composition, Yannis develops sound design that gives images, spaces and interactions their own acoustic identity. The approach remains musical and narrative: every texture, atmosphere and transition serves the experience as a whole.
Purpose-built sonic material shaped for the project rather than drawn from a generic palette.
Environmental depth, tension and emotional perspective developed through sound.
Movement between scenes, states and spaces designed as part of one coherent language.
Responsive sound worlds for installations, digital media and interactive experiences.
GAMES & INTERACTIVE
Composition and sound for games, fantasy worlds, exploration, interactive media and narrative environments, developed as a supporting dimension within Yannis’s wider film and media practice.
Explore more selected works ↗
FANTASY / EXPLORATION GAME MUSIC
Celtic-inspired music for fantasy, exploration and narrative game worlds.
Listen on SoundCloud ↗CONFIDENTIAL OCEANOGRAPHIC PROJECT
For a confidential project developed for an oceanographic museum, Yannis created six original soundtracks, each conceived for a distinct exhibition zone.
The music was designed to accompany spatial progression, deepen immersion and support the emotional perception of the marine world without competing with the visitor experience.

ORIGINAL SOUNDTRACK · IMMERSIVE COMPOSITION · 2026
A fluid sonic environment conceived around depth, movement and the sensation of a marine world extending beyond visible boundaries.
Created within a confidential oceanographic project, the piece formed part of a larger musical direction developed for six distinct exhibition spaces.
The institution, location and production details remain confidential.
SELECTED MUSIC
Independent releases that reveal Yannis Koser’s language of texture, atmosphere, movement and emotional form.
2026 · EP · Cinematic ambientSix concise pieces moving through horizon, water, atmosphere and sensory colour.
Listen on Spotify ↗
2025 · Orchestral · CinematicAn orchestral crossing between what is fading and what has not yet found its name, shaped through tension, movement and emotional transformation.
Listen on Spotify ↗
2024 · Solo piano · ContemporaryA piano work shaped by shifting light, rhythmic tension and a slowly transforming horizon.
Listen on Spotify ↗
2025 · Ambient · ExperimentalA suspended blue space between presence and distance, built through texture and restraint.
Listen on Spotify ↗CREATIVE PROCESS
Every collaboration is defined according to the project, its scale and its artistic needs.
DELIVERY · RIGHTS · LICENSING
The practical framework depends on the project. Before production is confirmed, the intended use of the music and the expected deliverables are discussed in plain language.
Final audio files are prepared in the formats agreed for the project and its production workflow.
Alternative edits, stems or separated elements can be defined when the project needs editorial flexibility.
The intended uses, territories, duration and platforms are clarified before delivery so the musical rights remain understandable.
The final delivery is organised clearly for the production team, with the agreed versions and naming structure.

COMPOSER · GUITARIST · EDUCATOR
A classical guitar foundation, contemporary composition practice and more than a decade of pedagogy inform a working method grounded in close listening, clear dialogue and patient refinement.
PRIVATE ENQUIRY DESK
Each message is read personally and answered with clarity.